Before Sunday, legendary cameraman Roger Deakins had won every major prize for cinematography but one. That unlikely scenario came despite the fact that Deakins was behind the camera for a number of movies that went on to win or be nominated for best picture. I mean, okay, it’s such a weird, weird thing when a film gets ignored or a film gets talked about. “Some of what I consider my best work and some of the best films that I’ve ever worked on kind of disappear without a trace. Deakins “paints with light and shadow, creating a wonderfully tactile sense of space and texture, using a palette of slate, cerulean and marigold.

Source: The Guardian March 05, 2018 04:12 UTC