In Bradford Morrow’s “The Forger’s Daughter” (Mysterious Press, 269 pages, $26), there is artistry in the successful re-creation of rare books and manuscripts. Those engaged in such work insist on respectful phraseology: Please don’t say “fake,” say facsimile; it’s not a “forgery,” it’s areplica. If Will refuses, Henry will give evidence to the police that supposedly incriminates Will in a violent crime. The tricky bit: He’s Elena’s ex-lover, and his abuse of her trust allowed the passing of information to Germany. But her boss now reveals: “He did not betray Britain.” Elena’s reputation was sacrificed as part of a longer game.

Source: Wall Street Journal September 25, 2020 14:03 UTC